This is the official logo for China’s General Administration for Customs, responsible, amongst other things, for enforcing bans on the import of unacceptable books and disturbing information of all sorts (though afiak, they’re not responsible for Net Nanny)
It maybe helps to look at it three dimensionally. In the background you have China, represented by the five star flag and the representation of the Great Hall of the People. Then you have this great big key. That makes things pretty clear: no entrance without our say so.
But what gets me is the staff of Hermes front and centre: this is what the key is blocking, the bringer of news, the protector of thieves and merchants.
There’s a superficial resemblance to the caduceus of Aesclypius, associated with the medical profession. The difference is that the staff of Hermes has twin serpents coiling around it rather than one. That refers to the myth of Tiresias, who once found two serpents intertwined. He killed the female and was transferred into a woman. Seven years later, he found and killed the male of the pair and was changed back into a man. The reference is to the transformative power of news and information.
Given that this symbol is part of the general occidental bag and baggage it’s a bit of a surprise to see this cropping up in the insignia of a Chinese state agency, though I suppose it’s appropriate to one tasked with ensuring that imported news and information has no disturbing transformative power at all. My guess is that this is a Deng era design, in keeping with the old brute’s dictum that the window should be open, but vigilance maintained against entry by flies and unpleasant creepy crawlies (I paraphrase).
It shows a good understanding of the symbolic meaning as well: that information is fundamentally indivisible, though obviously the GAC people mean to challenge that notion. It also harks back to the early days of the opening up process when there was a general naïve belief in China that Westerners had a profound knowledge of their own cultural roots which China should either learn from or counteract, depending on whether you were a hopeful reformer or a state employed censor. There’s since been a general disillusionment on that matter: only the censors are still flying the flag of enlightenment.
Anyway, I nicked the logo from this Danwei article on the GAC’s banned list, and one man’s attempt to get it published.
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